Julius Gabriel is a saxophonist whose work explores the boundaries and intricacies of his instrument. He delves into the dynamic interplay between corporeality, acoustics, transcendence, and hypnosis. Deeply rooted in improvisation, his music draws inspiration from a diverse spectrum of genres. Regarded as a virtuoso in an existentialist sense, he is now on his fifth solo album.
Julius Gabriel was born in 1988 in East-Berlin. He began playing the saxophone at the age of ten and pursued his music studies at the Folkwang University of the Arts in Essen. Driven by experimental approaches, he is an enthusiastic soloist, collaborator, performer and producer. Fascinated by improvisation, the diverse spectrum of musical languages, and the shapeshifting nature of the saxophone's sound, he continuously explores the boundaries and intricacies of his instrument, delving into the dynamic interplay between corporeality, acoustics, transcendence, and hypnosis.
In 'Dream Dream Beam Beam', his first solo album from 2018, he organizes his idiosyncratic musical influences, that can be understood as the possible synthesis of a long jazz tradition interspersed with imaginative drone and noise intrusions. In 'Ætherhallen' from 2019, he keeps his tendency, with a pass in the psychedelic and a detour to the minimalist. Those improvised compositions sound like eccentric dust particles dancing, in slow motion, under the twilight until the end of time, proposing to those who hear them a requiem for eternal life. In 2020 he released two distinctly different albums. 'Geminga' is the title of a ten piece album for soprano, tenor and baritone saxophone, in which he uses only the spatial dimensions of an ancient chapel to expand his solo compositions and free improvisation. In 'Eyes in Orbits', a 49-minute long drone piece he expands the sound of tenor and baritone saxophone through electronics and a wall of amplifiers. Using circular breathing throughout, he challenges the World Record for the longest note held on a saxophone (fun fact). 'Tales from the Subterranean' is his fifth solo album, being released in 2024. Born out of new sounds and rhythms that the musician discovered during the pandemic, 'Tales from the Subterranean' embodies a blend of primal energy and inventive exploration across twelve tracks. The opener 'Time Riding' sets the mood, a tearing rhythm that sounds like a frenetic tap dance. It invites you to move and when you get to 'Footworks' you are all set up, merging saxophone finger percussion with a continuous siren whisper emanating from the instrument, provoking euphoria, fear and satisfaction all at once. Moving on, you start to understand the sense of discovery behind the record and the needs Julius had, like to construct a saxophone with drone capabilities and closer to an idea of natural sound. Born from darkness yet radiating with newfound light, 'Tales from the Subterranean' stands as a testament to the resilience of artistic expression. It is primal music.
He founded the agit-disco-jazz group Das Behälter with the performer and writer Xenia Ende in 2013, followed by the the high-flying saxophone duo About Angels and Animals with Jan Klare, and the psychedelic-noise quartet Blutiger Jupiter. He has been a member of the utopian beats-krautrock-jazz-trance-noise collective The Dorf, playing alongside artists such as Caspar Brötzmann and FM Einheit. Since 2014, he has been a member of Barry Guy’s Blue Shroud Band, which brings together fourteen musicians with diverse expertise and backgrounds in baroque music, jazz, folk music, contemporary classical music, and free improvisation. Under Barry Guy’s direction, he has also played with the London Jazz Composers Orchestra. Around 2017, he became an active member of the Portuguese music scene. With sound sculptor and percussionist João Pais Filipe, he formed the trance-inducing duo Paisiel. He played with drummer Gustavo Costa and bassist Gonçalo Almeida in the dark, roaming jazz trio Ikizukuri, featuring trumpet player Susana Santos Silva on their latest album. He has been a member of the space rock band Solar Corona, played with jazz punk group Sereias and black metal band Névoa, amongst other groups.
New York City Jazz Record:
The young Julius Gabriel plays ferocious baritone.
The Fragmented Flaneur:
Gabriel’s sax lets you take the security of that foundation to really soar through a varied topology of the mind.
ZDB:
Julius Gabriel is not only a jazz experimentalist, it is a world of encounters.
Passos na Floresta:
Gabriel demonstrated that there can be virtuosos in non- conformist practices.
Nowe Idzie Od Morza:
When I think of Julius Gabriel, the words “psychedelic saxophonist” inevitably come to mind.